Book Art at Family Art Labs!

Last weekend we hosted our December Family Art Lab focusing on the art of books and their importance in Tibetan Culture.  We began with an exploration of the exhibition, All-Knowing Buddha: A Secret Guidefocusing on a set of 54 paintings that are thought to be album leaves from 18th century China.  Each of the paintings visually depicts the meditation practice of the All-Knowing Buddha.  On this tour, families discovered what it means to “visualize” and how artwork can be used as teaching tools.

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After exploring the galleries, we went to the art studio to begin creating our pop-up books.  We used recycled materials to construct our books, learned new binding techniques, and experimented with different ways to make our pages pop!

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Families came together, working as a team on their books and the results were really amazing!

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We believe it’s important to sign your work! – “Invented by a kid”.

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In January we’ll be celebrating Makar Sankranti, the Indian Kite Festival at Family Art Labs and will create our own traditional Indian Kites!  We hope that you can join us.  Until then, happy holidays and happy new year from the Family Programs team!

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Himalayan Heritage Meet-Up Dances Out 2014

The final Himalayan Heritage Meetup for 2014 was an uplifting event. We were fortunate to welcome Gen Wangdak Taksar La (in Tibetan, “Gen…La” is an honorific for teacher) to the Rubin Museum to share his knowledge of traditional song and dance from Tibet. Wangdak Taksar is a master of Lingdro, a dance form that celebrates King Gesar  an Enlightened King who is the subject of inner-Asia’s longest and most popular epic.      Unknown-1

Gen Wangdak La is the holder of this lineage through his family in Tibet, who were well known Gesar dancers, and is the founder of Lingdro Dechen Rolmo, a dance group based in New York City who performs and leads workshops throughout the year. The workshop included a diverse group of Tibetans who regularly participate in the Lingdro dance group as well as newcomers.OLYMPUS DIGITAL CAMERA

Gen Wangdak La taught a song praising the Buddhas of the five directions (East, South, West, North, and Center), which also correspond to the directions of a mandala.Each verse had a different melody that invokes the enlightened activity embodied by the deities of the five directions. This is said to pacify negative emotions, increase positive circumstances, magnetize auspiciousness, destroy obstacles, and encompass the wisdom of limitless space.HHMUDec2014

Afterwards, he taught the group the lively and festive dance that accompanies these songs. It is performed in a circle and would have traditionally been performed outside for hundreds of devotees during major festivals and other religious events. It was a pleasure and honor to host Gen Wangdak La at the Rubin Museum. The evening was full of laughter and concentration as we all tried to learn these sometimes-complicated and always beautiful melodies. There were also some very interesting conversations between those who were new to Lingdro dance and Tibetan singing, and those who have been practicing for years. In all, there was a sense of joy around learning this ancient form in such a modern setting. We’re looking forward for Gen Wangdak La to come and teach again!

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Beginning in February, this event will move the first Wednesday evening of every month, and will continue to be a platform for Himalayan Artists and community leaders to share their knowledge, and encourage dialogue between Himalayan people and friends at the Rubin Museum. For more information, or to get on our mailing list, feel free to email Harry Einhorn heinhorn@rmanyc.org, or Tashi Chodron tchodron@rmanyc.org

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Teachers at the Rubin Museum – Election Day for Professional Development

On November 4, Election Day, the Rubin help a professional development workshop for K-12 teachers.  The theme of the workshop was Art as a Cross Curricular Connector, focusing on how the Rubin Museum’s collection can be used to complement a wide range of subjects, from math to ELA and from science to art.  Our goal was to help teachers understand how the Rubin Museum can help their teaching and to use the teachers’ expertise to bring new and innovative ideas to the table.  We were also hoping to open the door for more collaborations between teachers and museum educators and also teachers with each other.

We had a very interesting mix of teachers from a broad range of subjects – ELA, art, math, special ed, science, and Spanish, to name a few.  Teachers started the day by brainstorming about the following questions (and here are some of their responses):

  • What are you hoping to learn/share/experience today?

-“I hope to gather ideas for art projects that will incorporate academic subjects”

-“Access visual learners”

-“How to motivate students who are creative but not very interested in excelling academically”

-“I hope to learn how to use art as a way to engage my kids to get them interested in reading and writing”

  • What are the benefits of teaching cross-curricularly?

-“Having students think of your subject matter outside your classroom”

-“One benefit to working cross-curricularly when teaching art is the understanding that art is more encompassing than most students think.”

-“The main benefit is to transfer skills back and forth”

-“Our work as art teachers is taken more seriously – even though it should be already”

-“Bring fresh ideas into a class”

  • What are the challenges of teaching cross-curricularly?

-Fitting all the disciplines into a unit that is not superficial but deeply integrated

-Working in areas that you have no background knowledge of

-Being able to apply age-appropriate experiences

Each answer was thoughtful and resonated with other participants.  This brainstorming helped us understand where the teachers were coming from.

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During a quick Artifact Investigation Workshop, teachers used the hands-on teaching collection to warm up their observational skills.  In their discussions and conversations, teachers began to notice that art objects are made of a variety of materials (science), often follow exact measurements and proportions (math), use visual imagery to tell complex stories (ELA), and express complex ideas important to Himalayan cultures and religions (social studies).

Artifact Investigation

Afterwards, the teachers had a tour of the galleries during which they learned about key objects from our third floor exhibition Masterworks: Jewels of the Collection.

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After lunch, teachers participated in a workshop making paints out of hide glue and mineral pigments such as malachite, red ochre, and yellow ochre.  We discussed how the materials used to make art in the Himalayas is deeply tied to its environment.  Teachers used the paints to create beautiful Himalayan-style paintings of lotus flowers, clouds, mountains.

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During the last hour of the day, teachers combined all their experiences and knowledge to write some lesson plans that drew on their diverse fields.  Using catalogs, online resources, and objects from the teaching collection, teachers created creative and integrated that also drew on deep personal connections.  Below is a sampling of these lessons:

 

lessons_Coordinate Plane lessons_Green tara lessons_Paradise lessons_StupaWe hope that this exchange of ideas is the beginning of a longer dialogue between Rubin educators and classroom teachers and we thank all the teachers who participated and shared their expertise.

If you participated in the workshop and want to add a comment, we invite you to do so in the comment section below!

 

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Drama and the Rubin Museum

Earlier this month, the Lincoln Center Theater opened a new play called The Oldest Boy. Written by Sarah Ruhl, MacArthur recipient and Tony nominee, The Oldest Boy explores a topic that is near and dear to the Education staff at the Rubin Museum: Reincarnation. The premise of the play is a young boy, born in the United States to a Tibetan father and an American mother, who is recognized to be a tulku, the reincarnation of a high Buddhist lama. The show explores important Buddhist concepts such as rebirth and lineage, but also more universal ideas such as a mother’s attachment to her child and overcoming cultural differences.

Enter the Rubin Museum of Art

Many K-12 students have heard of the Dalai Lama and some have a cursory knowledge of Buddhism and some of its basic features such as karma, reincarnation, nirvana. But in most cases the familiarity stops there. Often these students come to the Rubin Museum to enrich their understand of these and other ideas from cultures in Himalayan Asia through visual art. During the run of The Oldest Boy, many more students are getting the opportunity to see some of these topics in action via the dramatic arts. Through Lincoln Center Theater’s Open Stages program, thousands of NYC public high school students have the opportunity to see plays at the theater free of charge. The Education Staff at the Rubin also saw an opportunity in this program.

On October 15th, a group of nearly thirty public high school teachers came to the Rubin’s Education Center to learn, for their students and for themselves, about Tibetan Buddhist art. These teachers were all planning on going to see The Oldest Boy with their students, and the Education staff invited them to the museum to see how a visit to the Rubin could enrich their students’ understanding of the play as well as add depth to their understanding of Buddhism and Himalayan art in general.

The teachers’ experience began with an Artifact Investigation workshop, which is a way for students (and their teachers) to get their hands on actual Buddhist objects from the museum’s Touch Object Collection. The workshop encourages close looking, making deductions using observations, and working in groups to present ideas. The teachers looked closely at objects like a vajra and bell (pictured above), a prayer wheel, a devotional sculpture, and others. The workshop was followed by a tour of the galleries focused specifically on ideas that directly related to the play.

While in the galleries, the K-12 teachers explored the concepts of reincarnation, the relationship among teachers and students in Tibetan Buddhism, and the importance of ritual objects. The Wheel of Life image (pictured below) is a visual representation of many of the basic teachings of Buddhism including karma, rebirth, and non-attachment.

All of the teachers who participated in this program were encouraged to bring their classes to the Rubin prior to, or after, they went to see The Oldest Boy. On November 12th, a class of 9th and 10th grade students from Vanguard High School arrived at the Education Center for their Artifact Investigation. Students, haltingly at first, shared what they had learned in class about the life of the Buddha and the part of the world in which Buddhism began. The conversations really got flowing as small groups of students were each given an object from the Touch Object collection to investigate. The students looked at a singing bowl, a statue of the Buddha, and other Tibetan Buddhist objects in depth before presenting their observations and hypotheses to their peers. The previously shy high school students were surprisingly eager to stand up in front of their classmates to talk about the interesting objects that they had explored.

In the galleries, the students were then able to see these same objects in context and learn more about them and their use in Buddhist practice. They also saw some different Tibetan Buddhist ritual objects, such as a skull cup (pictured above) that spawned a discussion on mortality, attachment, and rebirth. One of the most poignant moments happened in front of a painting of Mahakala, a particularly wrathful deity.  The students were asked to put themselves in the shoes of the little boy in the play who was recognized as a tulku. He had been born in America and raised like any little boy here, but there was the possibility that he might be whisked away to Nepal and brought into a completely new culture and surrounded by religious imagery, much of which might look like the wrathful Mahakala. The students were asked to think of one word to describe how they might feel in that situation. “Afraid,” “confused,” “traumatized,” were some of the words suggested. The students were then asked to look closely at a figure at the top of the painting, meant to depict an incumbent Dalai Lama, perhaps shortly after he entered a monastery. The students then realized that they were also describing the emotion shown on his youthful face.

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The students of Vanguard High School left the Rubin with the necessary background knowledge to best comprehend and relate to the play The Oldest Boy. Hopefully their experience at Lincoln Center Theater will be greatly enhanced by their trip to the Rubin Museum of Art. The next batch of students who are coming in hopes of gaining a better understanding of Tibetan Buddhism before seeing The Oldest Boy will arrive in early December.

The End

 

Posted in Art Making, Education Center, Gallery Tours, Himalayan Art, Himalayan Heritage, K-12 Schools, Museums, Resources, Teachers, Uncategorized | 1 Comment

DIY: Tibetan Prayer Flags for a Harmonious Space!

Prayer flags are believed to bring happiness, long life, and prosperity to those who create them.  Let’s make some!  Each color has a special meaning: blue/space, white/air, red/fire, green/water, and yellow/earth.

Here’s an image of prayer flags hanging from a Buddhist shrine in Nepal!

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Materials needed: 5 sheets of construction paper (blue, white, red, green, and yellow) cut into small rectangles, a long piece of ribbon, stapler, and stickers, crayons, markers (or other decorating supplies).

materials

  1. Use scissors to cut construction paper to the size you’d like your flags to be.
  2. Decorate each flag using markers, crayons, stickers, etc. Optional: Write a special wish on each flag.color1
  3. Place your flags in this color order: blue, white, red, green, then yellow. line up flags
  4. Cut ribbon the length of the 5 flags plus extra on the two ends for hanging.
  5. Fold the top of your flags over the ribbon or twine to form a tab and staple flags to ribbon in color order.                                                                           stapling
  6. Hang your prayer flags and let the wind carry your special wishes and drawings out into the world.

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Tibetan prayer flags can even be made with classes or groups and hung together to create a fun and peaceful environment!

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Creating a Sand Mandala at Family Art Labs!

Last Saturday Family Programs held a very special Family Art Lab where we learned all about mandalas and collaborated to created a giant sand mandala.  It was a unique experience for all and I think everyone had a nice take away from the afternoon.

We began the workshop in the art studio, where we discovered that mandalas represent “spiritual palaces.”  We also learned more about their parts and appearance: square/circle/square designs and color symbolism.  We followed our discussion by watching a video clip of Lama Karma Tenzin creating a sand mandala at the Rubin in 2009.  Families watched in amazement when he quickly swept away many, many hours of work.

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Now we were ready for a trip to the Museum galleries to search for mandalas and discover more about their meanings.  Families were fascinated to discover the video, alongside a painted mandala in Gateway to Himalayan Art, that explores the interiors of a mandala.

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We looked at a stupa and discussed how it has similar shapes to a three-dimensional mandala and can also often represent a mandala.

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Next, we moved on to the 5th floor, All-Knowing Buddha exhibition, and recreated the posture of Buddha Vairochana – lotus position with hands in our laps.  After a few deep breathes, we began to feel a sense of calm and relaxation, a feeling that can be difficult for many of us to achieve in our busy city lives.

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We continued our tour with more close looking and drawing activities in preparation for our mandala-making session in the art studio.

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We returned to the art studio, full of new knowledge and ready to create. We began by creating 3D mandala sculptures, using colored paper, cardboard bases, glue and tape.

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The finished 3D mandalas were fantastic and really showed the collaboration between the adults and children.

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As some families were busy creating their mandalas, we rotated working on the collaborative sand mandala.  Families used homemade sand cones (made of stiff paper and tape) to help disperse the sand into the mandala.  Many children (and adults!) discovered this to be a very calming, meditative process.  It was fantastic to watch everyone work so carefully and with such amazing teamwork.

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After much hard work and care, the sand mandala was complete.  We gathered around to admire and appreciate our creation and then it was time to sweep it all away!  Before we swept, we reminded ourselves of the meaning behind sweeping the sand away – impermanence.  Nothing lasts forever, so let’s appreciate this moment in the present.

The children took turns using the brush (the same one used by Lama Karma Tenzin!) to sweep the sand toward the center of the mandala.

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We swept until all of the sand was piled at the center and then I dispersed small sand keepsakes to each participant as a memory of the mandala and their time at the Rubin.

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The experience of creating and sweeping away our sand mandala was truly a special one for all families and my assistant, Hannah, and I.  We can’t wait for next month’s Book Art Family Art Lab, where we’ll be learning the art of bookmaking and will create our own special pop-up books!

We hope to see you in December!

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Getting Creative with Janet Morgan

The Adult Education Team at the museum offered an exciting course in October, Creating Deities: Exploring Inner Guides of Strength, Love, and Insight, hosted by the dynamic and inspiring artist and educator, Janet Morgan.

Robert Dudley MEDAttendees primed their creativity pumps with Janet while tapping into a wellspring of timeless wisdom.

Painting MEDTogether, we explored the archetypal power of Hindu and Buddhist deities in the galleries through dynamic movement, and by creating works of art that helped participants tap into their own inner deities of strength, love, and insight.

Student MED

Mary Beth Hughes MEDFor the final class, Shyama (Julia Chapin) brought her harmonium and treated us to a Kirtan of traditional Hindu devotional music in the Bakhti tradition.

Julia Chapin MEDShyama also composed beautiful original songs inspired by the works of art made by attendees. It was a magical evening.

Pat Brown Creating Deities 10.22.14 - CopyWe look forward to welcoming Janet and Shyama back to the museum!

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Rubin Education Team Visits the Queens Museum of Art!

Recently, the education team here at the Rubin took another field trip; this time to the Queens Museum of Art! We went to see the new “Anonymous: Contemporary Tibetan Art” exhibit featuring many works from the Shelley and Donald Rubin Foundation! While commuting to the museum, we had quite the view as we gazed out the 7 train windows.

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(from left to right: Olivia Buscarino, Teen Programs Coordinator, Laura Lombard, Head of Adult & Academic Programs, Bill Appleton, Director of Education & Engagement, Laura Craft, Family Programs Coordinator, Lyndsey Anderson, Visitor Experience & Access Programs Manager, Nicole Leist, Assistant Manager of Adult & Academic Programs, Gail Goldspiel, Coordinator of Youth & Family Programs)

Before entering the museum, we were greeted by quite a large rainbow near the Unisphere!

QMA rainbow   walking in

We were greeted by Jason Yoon, Director of Education, and the curatorial team. Having such a private tour was a real treat and looking at and discussing the artworks together was very rewarding. Here is a selection of some of my favorite pieces that we viewed:

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From top to bottom: Rabkar Wangchuk, Spiritual Mind and Modern Technology, 2013; Sherab Gyaltsan, Roots and Mandala, 2012; Karma Phuntsok (b. Lhasa, 1959) Marpa, 2008; Gade (born Lhasa, 1971) Mahakala, 2013; Tenzing Rigdol, Melong 2013, various paper, pecha and silk brocade on canvas)

It was fascinating to compare and contrast these modern and interpretative artworks with the works that we have on view here at the museum. We noticed and discussed many details found in our traditional paintings that we also saw in this collection, as seen above. For example, in the first painting above, titled, Spiritual Mind and Modern Technology, the Big Apple is atop Buddha’s head and from his ears hang Home Depot and Best Buy earrings. And in the second to last painting above, we see Shrek and Ronald McDonald in the place of deities at the top of the painting, and instead of skulls hanging around the central figure’s body, we see a garland of Mickey Mouse heads! I was truly drawn in by these details and found the trip truly memorable and eye-opening.

Of course, no trip to the Queens Museum of Art is complete with the unforgettable views of the Panorama of the City of New York!

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Many thanks to the great team at the Queens Museum of Art for giving us such a wonderful tour!

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Nepali Paper Making at Family Art Labs!

We had yet another sold out Family Art Lab this October and it was such a thrill to share my growing paper making skills with so many families.  We began our workshop by discussing handmade paper making techniques in Nepal – where handmade paper is still widely made and used.   These techniques involve using the bark of the lokta plant, shredding it, boiling it, pounding it down, combining it with water to make a pulp, straining it over a special screen, and allowing it to dry in the sun.  Sound complicated? Find out more by watching this short video to see women of Nepal craft some of the most beautiful handmade papers in the world.

After getting more familiar with traditional Nepalese paper making, we took our newly acquired knowledge to the Museum to check out the Francesco Clemente: Inspired by India exhibition.  There we explored Clemente’s works on handmade paper from the Pondicherry region of India.  Many families found it fascinating to discover that each of his large paintings is made up of several sheets of smaller handmade papers, joined together by cotton strips.  This interesting use of media allowed Clemente to be able to easily travel with these large works – all he had to do was fold them up!

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After we explored Clemente’s colorful body of work, we returned to the art studio to create our own sheets of handmade paper.  We followed traditional Nepalese methods, with a few minor adjustments.  We used recycled paper in place of the lokta plant and used standard kitchen blenders instead of the large machines they use to combine the lokta and water into a pulp.  Since we did not have access to the sun, we used pieces of felt to absorb the water from our papers and let them air dry overnight. To decorate our papers, we used spices like curry, parsley, rosemary, and cinnamon, as well as dried flower petals, and colorful tissue paper.  The results were beautiful, but perhaps even more beautiful was the collaboration between families to make the paper…

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Here’s a great example from the day…

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Want to make your own paper at home?  Here’s how!

You’ll need:

  • a small wooden frame (just the wooden part)
  • a screen (cut to fit the frame)
  • hot glue (for gluing the screen to the frame)
  • a shallow tray (with at least 2 in. walls)
  • several pieces of felt
  • decorations of your choosing (we like spices, wax-coated tissue paper, and dried flowers!)
  • recycled papers (work best if they are torn or shredded)
  • a bucket (for soaking papers)
  • a blender (regular or immersion will work)
  1. Assemble your screen by taking your wooden frame and using the hot glue to adhere the screen to the frame.  Let the screen dry and handle the hot glue carefully!
  2. Soak shredded paper (copy paper works best) overnight to soften it.
  3. Put paper shreds into blender and top with water.  Blend, adding more water if needed, until you have a pulp with the consistency of watery oatmeal.
  4. Pour pulp mixture into a shallow tray.  Dip screen into pulp, covering surface and lifting slowly out of the water.  Make sure your screen is covered with a thin layer of pulp. *Alternate method – use a spoon to spoon mixture onto frame.
  5. Press decorations into wet pulp – try making a design!
  6. Use felt and pat both sides of the pulp until much of the water has been absorbed into felt.
  7. Carefully remove paper from screen and place somewhere safe to dry overnight.
  8. Admire your very own sheet of handmade paper!

Stay tuned for November’s Family Art Lab, where we will be learning all about mandalas and crafting our own giant collaborative sand mandala!

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What do a Jewish synagogue and a Buddhist museum have in common?

For our latest education excursion on October 7th, the Rubin Museum docents and education team visited the Museum at Eldridge Street, a restored synagogue and national historic landmark.  You may be asking yourself “but what do a Jewish synagogue and a Buddhist museum have in common?” While it may seem there is no direct connection between our institutions, there are in fact many parallels and we learned a lot from the Eldridge Street education team during our visit and tour.

There are so many symbols and images included in the synagogue architecture, including the Star of David and the Hands of Cohanim.

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This reminded us of the mudras (gestures) often found in Buddhist art and featured in a wall panel on the museum’s second floor exhibition Gateway to Himalayan Art.

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We walked up to the altar where we opened the doors to the ark and saw where all the torahs would be kept (today there are no longer torahs stored inside).

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Looking inside this inner sanctum we were reminded of a Buddhist shrine room which houses many objects of worship including important Buddhist texts.

Like our educators at the Rubin Museum, Eldridge Street educators use touch and sensory objects to enhance their tours and help make connections for visitors.  We were able to touch and try on prayer shawls and head coverings and our guide showed us several photographs from the synagogue before its restoration.

In addition to our educational experience, the restored synagogue is absolutely beautiful and the architectural elements, including the monumental stained-glass window by artist Kiki Smith and architect Deborah Gans, are awe-inspiring.

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Many thanks to Judy Greenspan and Sarah Lowenburg for facilitating this amazing experience for our team.  We hope to visit again soon!

To learn more about the Rubin Museum’s Docent program and other volunteering opportunities, please visit our webpage at http://www.rubinmuseum.org/pages/load/31.

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